Waterscapes under threat: a comparative study on environmental concerns in the select poems of Mario Petrucci and Margaret Atwood
pdf (English)

Palabras clave

Water
Ecological crisis
Images
Interconnectedness

Cómo citar

PAVITHRA , A.; DEVI, V. S. Waterscapes under threat: a comparative study on environmental concerns in the select poems of Mario Petrucci and Margaret Atwood. Veredas: Revista da Associação Internacional de Lusitanistas, [S. l.], v. 45, p. 190–200, 2026. DOI: 10.24261/2183-816x1345. Disponível em: https://www.revistaveredas.org/index.php/ver/article/view/1042. Acesso em: 22 may. 2026.

Resumen

Water, has been perennially celebrated by poets of all ages in Literature. Sir C.V. Raman has endearingly named it the “elixir of life”. However, in due course of time, Eco Studies has subjected water to an academic scrutiny. This paper revolves around the incredible destructive power of waterscapes during unexpected catastrophe. Waterscapes include all the sources of water bodies like sea, river, lake, wetland, ocean, and even ponds. The paper dives deep into water, marking it as a dynamic metaphor and explores the inevitable connection between human beings and water. Along with this the paper touches upon pollution, climate change, unpredictable weather patterns, rising of sea levels and extinction of species all in association with waterscapes. Mario Petrucci, an Italian born British poet and Margaret Atwood, a multi — faceted Canadian poet are greatly concerned more about the ecological welfare of the universe and hence the most striking poems of both the poets have been chosen for study. Petrucci’s poems “Goluboy”, “Light”, “India”, “Pripyat” and Atwood’s “Frogless”, “Spring in the Igloo”, “Bear’s Lament” and “Vermilion Flycatcher, San Pedro River, Arizona” explore the threats faced by the waterbodies across the countries.

https://doi.org/10.24261/2183-816x1345
pdf (English)

Citas

ATWOOD, Margaret Eleanor. Dearly: poems. New York: Penguin Random House, 2020.

ATWOOD, Margaret Eleanor. Strange things: the malevolent north in Canadian literature. Oxford: Oxford University Press, 1995.

ATWOOD, Margaret Eleanor. Double persephone. Toronto: Hawkshead Press, 1961.

ATWOOD, Margaret Eleanor. The circle game. Toronto: Contact Press, 1966.

ATWOOD, Margaret Eleanor. Power politics. Toronto: Anansi, 1971.

ATWOOD, Margaret Eleanor. Paper boat: new and selected poems: 1961-2023. New York: Alfred A. Knopf, 2024.

ATWOOD, Margaret Eleanor. Morning in the burned house: poems. Boston: Houghton Mifflin, 1995.

BARRY, Peter. Beginning theory: an introduction to literary and cultural theory. Manchester: Manchester University Press, 2002.

BRANCH, Michael; SLOVIC, Scott (org.). The ISLE reader: ecocriticism. Athens: University of Georgia Press, 2003.

COLERIDGE, Samuel Taylor. The rime of the ancient mariner. In: COLERIDGE, Samuel Taylor. Lyrical ballads. London: [s.n.], 1798. Line 119-122.

KHAN, Muhammad Aslam; GHOURI, Abdul Malik. Environmental pollution: its effects on life and its remedies. Research World: Journal of Arts, Science & Commerce, India, v. 2, n. 2, p. 276-285, 2011.

McKIBBEN, Bill. The end of nature. New York: Penguin Books, 2022.

PETRUCCI, Mario. Flowers of sulphur. London: Enitharmon Press, 2007.

PETRUCCI, Mario. Heavy water: a poem for Chernobyl. London: Enitharmon Press, 2004.

PETRUCCI, Mario. The waltz in my blood. Hove: Waterloo Press, 2011.

PETRUCCI, Mario. i tulips. Londres: Enitharmon Press, 2010.

PETRUCCI, Mario. Light. 2018. Available at: https://www.poemhunter.com/poem/light-249/. Accessed: Dec. 6, 2025.

WORDSWORTH, William. The prelude. London: Edward Moxon, 1850. Book 7, lines 95-97.

Creative Commons License

Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.

Derechos de autor 2026 A. Pavithra , V. Subathra Devi